The Home and the World (Th)

 The Home and the World

Rabindranath Tagore 

Rabindranath Tagore, , Bengali Rabīndranāth Ṭhākur, (7 May 1861 – 7 August 1941) was a poet, short story writer, novelist, playwright, painter, educator, philosopher and humanitarian. He also composed roughly 2,230 songs. His writings address a variety of topics. He was highly influential in introducing Indian culture to the west and vice versa. In 1913 he became the first non-European as well as the first lyricist to receive the Nobel Prize for literature. In 1915, he was knighted by the George V, King of the United Kingdom and Emperor of India, but he later renounced the knighthood as a protest against the 1919 Jaliānwala Bāgh massacre. His songs, Jana Gana Mana and Amar Śonar Bangla, later became the national anthems for India and Bangladesh respectively.

To the west, Tagore is mainly known as the voice of India’s spiritual heritage; and that certainly does not do justice to his all pervasive influence upon generations of authors as well as common people. In India, his authority is exploited to justify all sorts of political and ideological stance – expanding from extreme right to the liberal and the left. What is really missing is a healthy critical discourse on this great author. Tagore’s genius is comparable with that of Shakespeare's.

Introduction

The Home and The world by Rabindranath Tagore  

The Home and the World (in the original Bengali, ঘরে বাইরে Ghôre Baire or Ghare Baire, lit. "At home and outside") is a 1916 novel by Rabindranath Tagore.  The book illustrates the battle Tagore had with himself, between the ideas of Western Culture and revolution against the Western culture. These two ideas are portrayed in two of the main characters, Nikhilesh, who is rational and opposes violence, and Sandip, who will let nothing stand in his way from reaching his goals. These two opposing ideals are very important in understanding the history of the Bengal region and its contemporary problems. 1 To see the growth of individual character. 

Write about Rabindranath Tagore’s art of characterization. 

The novel "The Home and The World" is a 1916 novel by Rabindranath Tagore. The book illustrates the battle Tagore had with himself, between the ideas of Western culture and revolution against the Western culture. Here our main concern is his art of characterisation. 

The ‘Home and the World’ is a superb study in the psychological analysis of character. In the novel, we feel Tagore’s adept use of the multiple points of view technique which makes for a clear renunciation of the motives and states of mind of the principal characters. The device of presenting separate segments of the story through different characters helps Tagore to highlight the internal conflicts and convulsions. The principal characters in the novel are Nikhil, his wife Bimala and his close friend Sandip. 

In the character of Nikhil, we see a true picture of a patriot who reflects the extra-national ideas that one should possess. Nikhil, a landlord of substantial means, is a man of noble ideas. Gently, rational and thoughtful, he cannot approve of any political programme based on violence and cunning. Nikhil has a rationalistic and constructive approach with emphasis on self-reliance and righteous means, to the problem of Indian emancipation. Nikhil though supports Swadeshi has not wholeheartedly adopted the spirit of Bande Matram. His “dull, milk and watery Swadeshi” does not appeal to his wife Bimala. Nikhil, though perturbed and pained by Bimala’s growing infatuation with Sandip, refuses to intervene and waits patiently for her to realize the truth of circumstances and recent herself headlong rush to ruin. He even refuses to banish foreign goods from the markets and argues that it is for the people to choose between indigenous and foreign goods. He declares, 

“To tyrannize for the county is to tyrannize over the country” 

He believes in the eventual triumph of the good. 

As opposed to Nikhil’s genuine patriotism, sandip is opportunistic and means for achieving personal power. He is a hypocrite, unscrupulous, capable of sweeping along everyone with magnetism, sophistry and rhetoric. He is a man of action, dynamic, adventurous, experienced in the use of stratagems. Sandip goes about inflaming the people with the cult of Bande Matram and the concept of freedom by force Sandip exploits Bimala, Nikhil’s wife by exploring her as the “Queen Bee” of the Swadesh workers. Through clever flattery she lays a share for her mind and body by hailing her as the “Shakti of the Motherland” A juggler of words, Sandip succeeds however in winning the sympathies of Bimala and also prepares her to steal the gold sovereign’s from her own house. Tagore has represented Sandip as a black-hearted Patriot who shut the door on humanity and truth, and for his own utterly selfish and inflamed, immature minds to frenzy in the name of patriotism. 

In characterizing Bimala, Tagore has put his great efforts to expose, beautiful young wife torn between two men she loves and likes. Bimala has lived the sheltered a life of a Hindu wife and the “Home” is the world for her until Sandip makes his disturbing appearance. In the opening chapter, we are acquainted with Bimala as a true house wife, devoted to her husband and shares his ideals until she is swept off her feet by the eruption of the Swadeshi Movement. It breaks down the barriers between the home and the world for Bimala. In this critical situation the fiery eloquence of Sandip holds Bimala spellbound. She admires the seemingly glowing patriotism of Sandip. Bimala’s attraction for Sandip at first is purely intellectual but soon changes from admiration to infatuation. Bimala is temporarily swayed by the maddening cry of “Bande Matram” and robs her own house. Like a cunning thief, for the sake of so called national cause. But, she is horrified when in lucid interval the ugly truth flashes on her, and she detests wholeheartedly the filthy means of Sandip to worship the Mother. His greed and lust masqueraded and paraded as nationalism, are extremely repulsive to Bimala now. She repents sincerely for her folly in looking down on her husband Nikhil, as an impotent idealist, whom she misunderstood up till now. 

critical analysis of the novel 'The Home and the World'

It is rarely that one gets an opportunity to read good books; and it is even scarcer that we can connect, almost immersing ourselves with the ideas portrayed in them. I was skeptical in reading Tagore at first. Given his literary genius, one expects something entirely perplexing and requiring significant clarity of thought to even comprehend what he wishes to convey, but that wasn’t quite the case. The Home and The World was among the few books I would readily call absorbing.

The Home and The World is appealing right from the very beginning – the title itself. It is always difficult to decide on a correct title for a novel, or even a short essay. It has to give enough, but leave out enough as well. The title of this novel is in fact, more than just an aptly kept summary.  One can assume the title a comparison, a stark contrast between the society of one’s own, and the one outside, a theme that carries throughout the book, through the characterization of two of the male protagonists, symbolic in several interesting ways.

The narration begins with Bimala, in the first person manner, and then vacillates between the three characters as the story progresses. First person narrative has a special attribute, which magnifies the impact of a character on the reader, that is, people generally familiarize with the character in first person, and can relate better to it. This particular feature in writing has been capitalized on greatly by Tagore; the intricacy in the detail of each character’s development eventually leads the reader to be engrossed in the story, with different narratives highlighting the differences in the basic thought process of the three main characters of the story, which is refreshing as well as insightful.

The plot is simple, so to speak. The two characters, Nikhil and Sandip, share a common love interest, Bimala. Married to Nikhil, Bimala is rudimentarily a simple, familial person, whose entire life revolves around Home, her husband Nikhil, and her household responsibilities.

Nikhil is in essence a simple, humble person. Pragmatic and hardworking, he is successful in his business, being the owner of several estates. His societal ideology is unpretentious; he holds no biases against anyone and he respects and honors people from all societal strata.

Sandip, on the other hand, is probably the best-developed character in the novel. Radical in principle, he could be taken to be the actual opposite of what Nikhil’s personality is like. He believes that the means to achieve something may be immoral and deceitful as long as they justify the outcome. Trickery and theft can be used without hesitating even once to get what one wants, because the world isn’t fair.

The story develops steadily though subtle dialogue between the characters, and Tagore has punctuated the narrative with intense philosophical subcurrents, which are immensely thought provoking. You will, throughout the plot, pause and reflect at Tagore’s writing.

The philosophical debates between Sandip and Nikhil on the variety of issues ranging from the Truth to Nationalism, from Want to Passions are greatly interesting and my personal favorites in the book. Bimala’s stance and the vividly philosophical take on her confusion between the two are also admirable. She in some arguments sides with Sandip, because of his radical, more progressive attitude towards every issue, and accuses Nikhil of impotency, and the national affairs and the state of the nation seem more important to her than her marriage, and her domestic life. Her mind changes when she sees Nikhil as her lover, as her caring husband, and she then shuns Sandip for his brusque nature.

The novel is an interesting love triangle; probably the most diversely described one I have ever come across. Interspersed with allegorical references, intelligent metaphors, beautiful imagery, the narrative would appeal to anyone with a heart for logic. The arguments in the narrative are beautifully written, and deeply philosophical, yet spell-binding.

The character development is something that would validate the diversity in Tagore’s writing skills. The three primary characters are so different in principally different things, and each of them is handled extravagantly. Apart from this intricate love relationship between the three, the novel also brings out the national situation at the time, through Nikhil’s character. Tagore brings out the inconsistencies of the Nationalist movement, with several incidents in the story, which highlight the injustice to the common man. Communal violence, oppression by the rich, refusal of foreign goods, and the intermingling of religion and politics are some among the other issues Tagore has conveyed intelligently through this character.

As I mentioned before, the title of the book forms the essence, and is visible throughout. The contrast between the ideologies of Nikhil and Sandip forms the spine of the book – and how Bimala is caught queerly in their midst. She does, however, return to ‘Home’ in the end, after she realizes how Nikhil is the one who truly loves her, and just wants to see her happy, even if he would have to let her go if that is what it would take.

Despite the story being starkly simple and the absence of heightened drama, the book is undoubtedly, an interesting read. The language, the characterization and the narrative are things one would enjoy at any rate. The book might not be a thriller, but it is definitely something that would get you thinking.

Thank You😊